Some Films and Television Programmes That Fill Me With A Deep Sense Of Joy: A Possibly Ongoing Series
Posted 8 April 2009 in Film by Catriona
I’ve already mentioned how much I love watching old episodes of The Goodies, when they haven’t aged too badly (and make no mistake: some have). And it will come as no surprise that every episode of the original series of Doctor Who is dear to my heart. Yes, even “Silver Nemesis” and “Timelash.”
Here are some more programmes (and one film) that delight my heart.
In no particular order of importance:
1. Press Gang
Oh, Steven Moffat. My obsession with his writing started here—and this is one show that is just as enjoyable now as it was the first time I watched it. I’ll admit, the characterisation of Linda looks more ’80s now than I thought it did at the time (so high-powered business woman), but that doesn’t mean I love her any less. Or love Spike any less. Or love Linda and Spike as a couple any less.
In fact, any girlish romanticism in my nature (and there may be some, appearances notwithstanding) can be traced back to my teen obsession with this relationship.
On a slightly related note, I happily watched Doom (the movie, not the video game) once I realised it had half of Dexter Fletcher in it. (The top half, if anyone’s wondering.)
2. Bill and Ted’s Excellent Adventure
RANDOM ENGLISH KING WHO MAY NOT ACTUALLY HAVE EXISTED: Put them in the Iron Maiden.
BILL AND TED: Iron Maiden? Excellent!
RANDOM ENGLISH KING WHO MAY NOT ACTUALLY HAVE EXISTED: Execute them!
BILL AND TED: Bogus.
Enough said, really—though the fact that I didn’t even need to look that quotation up on the Internet probably speaks for itself.
3. Monkey
Seriously, this has to be one of the most surreal programmes ever to air. And that’s leaving out the blatant transvestism, which wasn’t limited to Tripitaka. We just watched an episode in which Monkey questioned the overall wisdom of Buddha: “He can’t even make up his mind whether he’s a bloke or not!”
Then there was that episode with the giant mushrooms—which I think were linked to some sort of Fungus King who, knowing Monkey, was called King Fungus. Or the episode with the unicorn who claimed that unicorns could rule the world “if we weren’t so nice—and mythical.” And the episode where Sandy and Pigsy became pregnant. Or the one with the teenage goblin who could cloud-fly, but his cloud had training wheels. Or my absolute favourite: the episode where Tripitaka believed that his other disciples had induced him to devour Pigsy, and he became possessed by Pigsy’s spirit and went to a disco where he danced to the Monkey theme song.
Sheer brilliance.
But there was also the aspect that never occurred to me as a child: for the late ’70s and early ’80s, this was hands down the least Anglo show ever to be a hit on Australian or British television. It may still be, for all I know. Voice acting aside, the actors are all Japanese, and the mise en scene (the costuming, the scenery, the mythology) is Chinese. Sesame Street always had African-American and Hispanic cast members (I don’t remember Asian cast members in my time), and there were other shows that played with issues of racial tolerance—the oddest example I can think of is Fraggle Rock, with its different races living in sometimes uneasy coexistence. But they were never anything like Monkey. It was fantastic for a child growing up in an intensely white town.