by Catriona Mills

The Eternal Question: Vampires--Good or Bad?

Posted 18 April 2008 in by Catriona

I’m feeling a little melodramatic tonight—not exactly a rare occurrence. Tonight, I think it’s because I’m wearing a floor-length, swishy, velvet skirt, an absurd quantity of bangles—quite why I’m wearing a wristful of Indian bangles while sitting in my own living room enjoying a quiet drink is a bit of a mystery, even to me—and a long cardigan. It’s an ensemble guaranteed to make anyone feel melodramatic.

(And to those who question the inherent coolness of a good cardigan, I shall simply point to the example of Kurt Cobain.)

So, I’ve decided that the best way to harness this melodramatic frame of mind is to listen to some covers of Jimi Hendrix songs and blog about vampires, while waiting for dinner to be ready.

Because the thing is that I’m actually not a big fan of vampires.

Or, more properly, I’m not a big fan of vampire fiction, which is why I put this under “Books” instead of “Television.” (Naturally, I’m also not a big fan of actual vampires: they’re insanely powerful bloodsuckers, and I don’t place much faith in that “can’t enter unless they’re invited” caveat. But, then, to balance that there is the idea that they don’t actually exist—that must be given due weight, I suppose.)

I loved Dracula when I first read it and realised how very different it was from any adaptation I’d ever seen—and I love seeing students’ reactions to it, when they experience it for the first time.

I simultaneously enjoyed and was slightly horrified by Kim Newman’s Anno Dracula. I always did have a soft spot for poor Jack Seward, which is probably partly inspired by the fact that he was once played by Richard E. Grant. But I’ve never read the later books, although Nick owns them all.

I’ve also been reading—intermittently—the Kim Harrison series of alternate history urban fantasies, which have a strong vampire component, and The Dresden Files, which are veering more and more into vampire-focused plots at the stage I’m up to, which is currently the fourth book.

I’ve also recently bought the first book in Stephenie Meyer’s Twilight series, purely, in this case, because I felt I was out of the loop on something that I should probably judge for myself.

But, that lengthy series of exceptions aside, I rarely buy anything from the section of shelving that bookshops are increasingly labelling “Vampire Fiction.”

And I have no patience with the Interview with a Vampire series. I’ve read the first book—I’ve even taught classes on the first book—and I can see both the impact on contemporary horror fiction of Anne Rice’s re-visioning of the vampire and the fascination of the Anne Rice cult. But I really didn’t like the first book, and didn’t fancy reading the later ones.

But to balance this, I rather like vampire films and television. Within reason, anyway.

I was a big fan of Buffy, the Vampire Slayer—until season 5. I did keep watching after that, right until the end, but in common with a lot of fans I felt it lost something of its focus at that point. I liked Spike, but then I’d liked Angel as well, and if Buffy had been willing to kill Angel, why would she so fiercely defend Spike against the people whom he had injured?

I enjoyed Angel as well, although there the disappointment rather worked in reverse: season 1 wasn’t fantastic, to my mind, but it was still finding its feet and it worked itself into an interesting concept (although I do miss Glenn Quinn; I did like him in both Roseanne and Angel.)

But even when it comes to television, I’m not a big fan of vampire-themed shows.

Except for Ultraviolet, which Nick and I are rewatching now (after a brief and ultimately futile discussion as to which of us has been stalling on re-watching it since I bought it for him some years ago: I say him, he says me.)

I suppose, it one wished to be pedantic, you could claim that Ultraviolet isn’t, technically, a vampire show, since they never say the word “vampire” at all. When they do decide, around about episode two, that they do need a general noun, they call them “leeches.” In fact, Nick swears when it first came out it was advertised in such a way that he thought it was about a fraud investigation squad, and nearly didn’t watch it.

But, sophistry aside, it is one of the cleverest vampire-focused shows I’ve ever seen, and it’s holding up now, ten years after it was released (which is scary enough as it is; I don’t like thinking that ten years can pass since a show that I watched as an adult aired on free-to-air television.)

So while I don’t want to end every blog post by wavering away from my original point—I have fears that my blog will end permanently tentative and lacking any firm opinions—I suppose I do have one final caveat.

I’m really not that interested in vampires—unless they’re key characters in sexy British programmes starring Jack Davenport.

And, let’s face it, that doesn’t happen nearly often enough.

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